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Tuesday, July 5, 2016

About Ancient Egypt....

For many, the scope of egypt historeys difficult to comprehend. Its history covers some five thousand years, and encompasses the origin of civilization, the rise of the GEERKS and Romans, the establishment of the Jewish, Christian and Islamic religions, the colonial era when first France and then the English ruled the country, and finally, a return to independence. Egypt has played an important role through all of these eras, and today one can find monuments that evidence Egypt's role in most of the world's historic events, from the beginning of mankind until the present. More and more, we are not only learning about the history of mankind in Egypt, but also about his prehistory, the way that he migrated and finally began to organize communities that eventually lead to a civilized world.

In Egypt, we find the earliest detailed records of warfare recorded thousands of years ago, but we also find the cemeteries and monuments of the world's last global war, World War II. In Egypt, we find some of the first written words of civilization, but we also find great thinkers and writers through the Greek period, into the Christian era, the archaic Islamic period and even modern Nobel Literates. In Egypt, we find ancient pyramids and giant columns supporting massive temples, but we can now find these architectural elements spread throughout the world. Here, along with the first monumental buildings made of stone, we also find the first paved roads, the first wines and beer and even the first peace treaties between organized governments. However, we also find the world's first scientists, doctors, architects and mathematicians.

Egypt is our window to humanity's distant past and in understanding its history, we find both mankind's greatest glories and achievements, as well as his often repeated mistakes. We may follow along with the building of empires, only to see them collapse again and again. We find great men and rulers of renowned, but we often also see their ultimate demise.

And here, we learn about religion, its evolution and, as the world grows older, its replacement with newer religions. Yet, the ancient Egyptian religion has never really completely died out. Even today, many Egyptians continue customs, including some aspects of religion, held over from thousands of years ago. In fact, throughout the world, aspects of the ancient Egyptian religion, particularly funerary, continue to effect our modern lives.

We hope you enjoy our efforts to bring Egyptian history and its monuments to your fingertips. Here one will find just about every aspect of ancient Egypt, from culture to people, from monuments to knowledge. Take the time to understand ancient Egyptian history, and we feel certain you will find, within this knowledge, a better understanding of this modern world in which we live.

Wednesday, June 29, 2016

Crowns of Ancient Egypt, An Introduction










Many people think in terms of a having a single crown that was worn as a symbol of his office. However, in ancient Egypt, there were a number of different types of crowns, mostly worn by gods, kings and queens and sometimes their children. Sometimes, as in the case of the Red and White crowns, they could also be combined to form a special symbolism, such as in this case, the unity of Upper and Lower Egypt under one ruler. They played a dominant role in the composition of the royal and the divine image. Gods and kings were never represented without one, because they indicated important aspects of both royalty, divinity, and of Egypt itself.

According to the ancient Egyptians, and specifically the Book of the Dead, the original wearer of the crowns of Egypt was Osiris:

"Glory be to thee, O Osiris Un-Nefer, thou great god in Abtu (Abydos), King of Eternity, Lord of Everlastingness, God whose existence is millions of years, eldest son of Nut, begotten by Geb, the Ancestor-Chief, Lord of the Crowns of the South and the North, Lord of the High White Crown "


For kings, the number and variation of crowns grew over time. However, various gods were frequently associated with a single crown, such as Selket. The basic headdress of her crown did sometimes change, but almost certainly it was surmounted by a scorpion. At the same time though, because the identities of various gods were sometimes merged with others, a certain crown primarily worn by one god might also be depicted crowning another. Specifically, whether king or god, the crowns worn by them always impart upon the wearer aspects symbolized by the nature of the crown.

Form and Composition

So much of ancient Egypt has survived into this present day, but apart from circlets and kerchiefs, no real ancient Egyptian crowns have survived. hence, their actual size and the material from which they were made is uncertain, even though we do have many examples of statuary and reliefs that depict gods and royalty wearing them. As in most cultures, crowns mark the wearer as distinct from the average human being. This is usually achieved by optically "enhancing" the wearer, making him or her appear taller, and by using precious material, such as gold, silver and gemstones. Egyptian crowns are generally represented as very tall, sometimes so tall that they could hardly have been worn, and indeed, such elements as high feathers are represented in token from at a much smaller scale on some surviving royal headdresses. This fact emphasizes the emblematic significance of items of regalia, which functioned virtually as hieroglyphs, with their combinations forming "sentences" that could be read and altered by varying their constituent elements. This view is supported by cases of posthumously altered headdresses in representations of royal personae.






Royal regalia, and in particular crowns, often link their wearer with the superhuman sphere, and the height of Egyptian crowns itself points toward the heavenly or divine. Therefore, the crown of Queen Hatshepsut can be stated to "pierce the sky" during her coronation before the god Amun. Bestowed on the ruler by the gods in texts and representations, in ancient Egypt crowns symbolize the connection of earthly and divine rule. Most crowns can be said to belong to the sun god Re, or some other deity, but bestowed by them on the king. Adornment with precious materials (or their colors), in particular the shimmer of gold and silver, provides a further link with gods who are associated with radiance. Solar or stellar disks can be added to a crown-type as well as one or more cobra-form uraeus snakes, which represent the fire and blinding radiance issuing from the sun god's "eye". the solar disk, to consume potential enemies. Crowns themselves are often equated with the eyes of Re or Horus.

Typically, only one uraeus adorns the forehead of the ruler. In the Early Dynastic Period and the Old Kingdom, it appears exclusively with kerchiefs (nms) and headbands, but never on tall crowns. From the 6th Dynasty onward, royal women too may wear a uraeus. A few uraei of gold, some of them inlaid, survive from Middle and New Kingdom tombs.

The distinctive shape of the uraeus, like that of crowns in general, at different periods can provide important evidence in dating uninscribed artifacts. For example, a double uraeus, one usually wearing the Red Crown and the other the White Crown, is attested for royal women from the reign of Ahmose on. A variation is the (sometimes double) uraeus augmented by a vulture head, referring to the goddess Wadjet and Nekhbet. Another examples includes the plain Kushite cap, which is distinctive of rulers of the 25th Dynasty and their Napatean and Meroitic successors. Depending on the context, the uraeus can also bear the head of a gazelle (especially for subsidiary royal women) or an ibis. Ptolemaic queens may even wear a triple uraeus. A further increase in the number of cobras is attested from the reign of Amenhotep III on, when a kalathos of uraei as a crown base is attested. Akhenaten is the first king to display a circlet of uraei, also worn by gods, around some of his crowns. The radiance conveyed by disks and uraei likens the wearer to the gods, and the increase of their number on crowns seems to correspond with periods of intensified solar cult activity, developing in particular during he Amarna period.


Plants or parts of animals may also be incorporated into crowns, including feathers (of falcons or ostriches) and horns (of rams, cattle or gazelles). These features appear to associate the wearer with the qualities of the specific god who was manifest in a given animal. Thus, the curved ram's horn, a symbol of Amun, which occurs at the side of royal headdresses from the time of Amenhotep I, identifies the ruler with this god and imbues him with divine qualities.



Plant ornaments are confined mostly to the crowns of queens and princesses, and seem to evoke beauty and youth or rejuvenation. Exceptions are the central element of the atef-crown and the occasional presence of the ished-fruit on the same crown, and the "wire" or curl" of the Red Crown.

Religious and Political Significance.

The large number of crowns attested for a single ruler, such as Hatshepsut, with nine different types and the same number of basic headdresses, is attested in depictions from the Old Kingdom on. They reflect different aspects of kingship. The political and religious significance of crowns for the image of the king can be inferred from the fact that different headdresses were favored in different periods. Thus, some types of crown do not appear in the Amarna period, as an example. Akhenaten's queen Nefertiti wore crowns confined to the king in other periods, such as the cap crown, and new crown types were invented for her, apparently to symbolize her expanded role





Some texts suggest a metaphorical use of the royal crowns to embody the office of kingship, or even the political or geographical notation of the kingdom. Such was the Double Crown, symbolizing the rule of both Upper and Lower Egypt.

Funerary Crowns

Funerary literature from the period of the Pyramid and Coffin Texts on provides that crowns are an important role to play int he rites of passage that transform the deceased into an inhabitant of the sky. Endowing him with divine attributes such as radiance, they both lien the dead king to the gods of the sky and impart to him authority over them. They symbolize ascent to the sky and rebirth, as is shown by representations of crowns in the object-friezes on coffins and beneath the bier, and also by the practice of placing crown-amulets on mummies. This symbolism relates to the range of meaning of the Egyptian term h'w, which can be rendered as "arisings" and "manifestations", as well as "crowns". The same root is used in the term of accession to the throne. Crowns were also used in the temple ritual evoking the rebirth of deities, and crown models are known to have been kept in temple crypts.








Sunday, June 26, 2016

Temples of Egypt by Monroe Edgar

Writing an introduction to ancient Egypt temples is considerably more difficult then examining any specific structure, for a number of different reasons. First of all, the term "temple" is misleading, and secondly, the term covers a huge variety of different structures that evolved over such a vast period of time that many people have a difficulty comprehending just how long a time this period spans
The Ramessuem on the West Bank at Luxor (Ancient Thebes)

For example, think of the Roman Coliseum (in Rome). It is almost 2,000 years old, and most of us would think of it as very ancient. Yet, when the Romans first came to Egypt, they were awe struck by Egyptian temples, some of which at that time were already more ancient to the Romans, then the Roman Coliseum is to us. So we must consider the effect that these temples had on the ancient Egyptians. Imagine the feelings of old tradition and holiness felt by a young priest when he first enters St. Peter's Cathedral in Rome. How must a young Egyptian priest felt as he strolled the courts of the much more temple of Heliopolis, which was much more ancient to him then St. Peter's would be to a young priest of today.

Webster's New World Dictionary defines temple as "1. a building for the worship of god or gods, and 2. A large building for some special purpose". For the second definition, they provide the example, "a temple of art". Neither of these definitions fit the ancient Egyptian temple very well, and yet, almost every religious structure in Egypt outside of the various types of tombs are almost always referred to as temples.

Certainly some of these "temple" structures do embrace both of Webster's definitions. In fact, it is difficult to imagine most any large, ancient building not falling under the second definition, including palaces and governmental buildings. However, our modern readers are more likely to think in terms of the first definition, that of a temple being a place of worship. However, this definition is simply too limited to fit even the structures that many modern Egyptologists better define as a "god's mansion". Even these temples sometimes had many other functions, acting sometimes as fortresses, administrative centers and even concrete expression of propaganda or royal retreats. However, it is difficult to define some other religious structures that are called temples as houses of worship or "god's mansions". They may have other political or all together different purposes.

It was the ancient Egyptian temple that received endowments. It was the mortuary temple and the cult of the dead king that funded the entire pyramid complex of the early kings, for example. Temples owned land, livestock and received donations, sometimes including the spoils of war, in order to support often large populations of priests, workers, and sometimes even an entire support town



The Temple of Karnak at Luxor

The Temple of Karnak today remains the worlds largest religious structure, but what is perhaps even more interesting is that it might not have been, or indeed was probably not Egypt's largest temple. Certainly the Temple of Ptah in Memphis, though for the most part completely gone today, may have been larger. It was older, and located in what was often the capital of Egypt, and more often the administrative center of the ancient country. Other temples in the Nile Delta might have been just as large as Karnak, if not larger.
Sites such as Karnak, Dendera and Kom Ombo would most likely fall under the category of "god's mansion". They were more than religious "temples" however. While the god may certainly have been worshiped in these temples, it was also his symbolic home, if not considered his physical residence, and the functions of the temple were as much to serve his or her symbolic physical needs as they were for the god's worship. There was probably little or no "preaching" as such, or carrying the message of the god to the people by priests associated with these "temples". Rather the efforts were directed inward, towards the care of the gods.
Also, though we often make a very specific distention between mortuary temples of kings, for example, and temples such as Karnak, they were actually very similar. Kings were considered gods, and after their death, they required a "mansion" and the same attention as other gods. Both regular and mortuary temples served to keep the name of the king or god alive.


Temple of Dendera

The real distinction, religiously, seems to be in regards to structures that might not so easily be defined as "god's mansions". Nefertari's temple at Abu Simbel was certainly dedicated to the goddess Hathor, it would seem. But this also seems to be a situation where a "god's mansion" was built as much for political as for religious purposes. These great monuments at Abu Simbel, consisting of her temple, and the larger temple of her husband, Ramesses II, were not just temples. They were also reminders of Egypt's greatness to her southern neighbors. Other structures hardly fit within the "god's mansion" category at all. For example, Sed-festival Temples that celebrated the king's jubilees seem to have had a completely different purpose than "god's mansions", and ka Temples provided a residence not to the dead king, but for his soul.

Nevertheless, for convenience, we will refer to most religious structures other than tombs as temples in the remainder of this reference.
Dynastic era temples may be found throughout Egypt, though the ones that have survived time are mostly in the south. They were built for many different forms of worship, as well as other purposes. Some were major temples dedicated to major deities, while others were dedicated to a number of different deities. Some were mortuary temples, where the temple was dedicated to the deified dead king, and where he was worshiped and cared for by his cult. There were also valley temples, which were often no more than monumental gateways connected to the king's mortuary chapel by a causeway. There were all manner of specialized temples, such as Sed-festival temples, ka temples, sun temples, coronation temples and others.

Many of Egypt's temples became complex systems of buildings, added to by generations of pharaohs over sometimes thousands of years. Such temples include those of Luxor and Karnak, but others long destroyed, such as the Temple of Ptah. In fact, there are any number of northern temples, though long gone, that would have rivaled the southern temples that we most often visit today.
Most Temples had some sort of organized structure that evolved into a traditional, if somewhat varied floor plan. For example, the mortuary temple of 5th Dynasty kings invariably had an outer section and an inner sanctuary. The outer section would consist of an entrance corridor, followed by an open columned courtyard. Often, the pillars were inscribed with the king's name and title, and the northern columns would have scenes oriented to northern Egypt's symbolic gods, with a similar arrangement on the southern columns. Various additional minor chambers might also exist within the outer section, including, for example, an entrance vestibule or a guard station. Between the outer temple and the inner section there was usually a transverse corridor, and in the center of the long, west wall a doorway lead to the inner sanctuary of which the front section consists of a chapel with five niches for statues. Behind the chapel would be an offering hall, notable for a false door on the west wall that faces the pyramid, and before the door, an offering altar. Within the inner sanctuary there might also be additional rooms, such as vestibules and antechambers. Associated with both the outer and inner sections of the temple would be storage and other annexes to one side or both of the main temple components.

Non-mortuary temples often also had courtyards, chapels, offering halls, vestibules, antechambers, just like the mortuary temples. They tend to vary considerably in their style and elements, though temples built for specific gods tended to be more uniform (though not always). One of the major differences between mortuary temples and others was that the non-mortuary temples were very often added to, built upon and even usurped by various kings. Though in rare cases a mortuary temples, such as that of Djoser at Saqqara, became places of high holiness, and were built upon by later kings, most mortuary temples were never added to or usurped. They therefore most often were much more simple than major non-mortuary temples.
Latter temples took the form of fortresses, with massive entrance pylons and enclosure walls, huge courtyards, columned or pillared halls and inner sanctuaries.


Tuesday, August 19, 2014

BRISBANE

Contents: The City, Do & See, Eating, Cafes, Bars & Nightlife, Shopping, Sleeping,Essential Information, Maps

Brisbane is a lively, cosmopolitan city with excellent restaurants, beautiful riversideparks, a busy cultural calendar and a great nightlife. Its fantastic weather year-round has allowed outdoor activities to thrive and develop a vibrant café culture.The city is surrounded by some of the state’s major tourist attractions, and there isan abundant choice of daytrips whether it be to the coast for the golden beaches, or
inland for some of Queensland’s serene bushland, there is something for everybody
the city 
The capital of the “Sunshine State,” Brisbane, could verywell be the world’s most laidback city: its residents arefriendly and optimistic in a way rarely seen in big city life.But with such a fantastic lifestyle, who can blame them forsmiling?Brisbane has a world of experience to oer, from thehustle and bustle of the Central Business District (CBD),you can escape to the creative ambiance of thecontemporary arts centre - The Brisbane Powerhouse inNew Farm. Perhaps you’d prefer dinner with sights of thecity at South Bank? Afterwards, if you’d like a sti drink,head towards the trendy bars of Fortitude Valley and West
End.If you don’t dance the night away, you might be up earlyenough to watch the sun rise as you kayak on theBrisbane River. Or perhaps you’d prefer relaxing atAustralia’s only inner city beach at South Bank. If you stillhave the energy, you can try rock climbing and take in theviews of the Story Bridge and the city skyline from theKangaroo Point Clis.When you’re ready to relax, head down to Woolloongabbato enjoy some of the spectator sports that Queensland isfamed for!League fan.-"The Gabba is one of eight major sporting and entertainment facilities owned and operated by StadiumsQueensland
Tangalooma Island Resort
Tangalooma Island Resort has a wide array of excursionson oer, and quite a few of them are for free. This is one ofonly a few places in the world where it’s possible tohand-feed dolphins in the wild. They come swimming up along side the jetty at dusk for their nightly feed.
Underwater World and Dolphin Lagoon
Queensland’s largest oceanarium/aquarium with 25.000sea animals and a multi award winning tourist attraction.Take the opportunity to walk with thousands of marine animals without getting your feet wet.
Lone Pine Koala Sanctuary
This sanctuary gives you the opportunity to touch andhold koalas in the world’s largest koala enclosure. The siteis easily accessible by bus from the CBD, or via MiramarCruises who do daily trips from South Bank’s Cultural Centre pontoon at 10am League fan.-"The Gabba is one of eight major sporting and
entertainment facilities owned and operated by Stadiums Queensland".


Brisbane is scattered with great pubs, you’ll realise this themoment you learn that most of the “hotels” which you seeare actually drinking establishments. Beers are served inpots, schooners, pints and jugs and the beer taps in manybars will be specially chilled, causing the condensation tofreeze on the outside. Most hotels are open 10:30am-3am,and the traditional “Sunday Session” runs from 11am tomidnight.
Norman Hotel
The Norman is a good place to meet a cross-section ofBrisbane society, it’s tradition for those attending matchesat The Gabba to get a pre-match steak here. There aretwo bars here, the new Norman’s Bar and the traditional Sports Bar.


The Queen Street Mall is Queensland’s premiere shoppingdestination with over 700 shops doing business sevendays a week and independent designers as well as aplethora of cafés abound.Queens Plaza is where a host of home-grown talents suchas Herringbone of Sydney and Alannah Hill take pride of
place. Take a short stroll and you’ll also find the likes ofMax Mara, Vuitton, and Tiany & Co, proving that Brisbaneisn’t too small for the big names.The assortment of logos and brands available in this
stretch between Edward Street and George Street is mind-boggling, but of note are the legendary departmentstores David Jones and The Myer Centre. You may alsowant to take a peek in the boutique of local designer Bora,whose creation graced the body of Miss Universe in 2004.If you leave the Queen Street Mall and head down EdwardStreet towards the river, you’ll find more Australiandesigners and if you continue up Elizabeth Street, you’llfind many of the up-and-coming.Beyond the CBD, it’s worth taking a look at Ann Street andJames Street in Fortitude Valley where you’ll find a mixtureof boho chic and ultra-trendy style. Come back at theweekend and you’ll find the Valley Markets: fashion on
Brunswick Street where you can buy one-o items and owers and fresh produce on James Street.
Back at the South Bank Lifestyle Markets, you’ll findeverything from local crafts to unique artworks at the
weekend. Every second and fourth Sunday at thePowerhouse in New Farm, check out the Farmers Markets
where you can pick up Queensland’s fnest pineapples andmangos, freshly caught seafood or just-picked vegetables.The farmers bring their goods to the markets literally onthe back of their trucks. Open from dawn till aroundlunchtime but, for the best experience, be early to get thebest produce and avoid the heat 

LISBON

Lisbon basks in the sun refecting o the Tejo River and quickly seduces mostvisitors. The mixture of history and modernity, of small town and metropolis, of theantiquated and the shining new is irresistible. Add excellent shopping, late but safenight life and restaurants with Europe’s best fish, and you have the city in a nutshell
Lisbon’s heart is beside the river, even if the city hasgrown in all directions. Sit down at a pavement café on
Rossio Square and you will see the Baiza, the at citycentre, that dates from the 18th-century, between yourselfand the river bank. Look up in one direction and you willsee the São Jorge on the top of a hill. Look in the otherdirection and you will see the ruin of the Carmo Church onanother hill. Walk, or take a tram to one of them and youwill discover the quarters of old Lisbon, most of them with
a magnicent view of the rest of the city and the river Wander north from Rossio, you will soon end up onastately 19th-century avenue, in the part of the city which isstill called "Avenidas Novas." Even further north, thebuildings become really new, with the city’s two largefootball grounds, Luz and Alvalade, and lastly the airportwhich is twenty trac-jam-free minutes in a car fromRossi. Most of the best sights, restaurants and nightlife aresituated along the river. There is good shopping along theAvenidas Novas, but otherwise the rule is to keep close tothe river to get the best out of your visit.

Sunday, August 10, 2014

Venice


There is no other city like Venice. It has 180 canals, 450 bridges and magnificentpalaces. It is a city rich in museums and historical buildings of great artistic and cultural importance. Add to that the transient feeling and the quiet everyday life. The
beauty of it all is truly apparen

thecity


Refugees founded Venice. When Germanic tribes ravaged northern Italy in the 5th-century, many people escaped tothis dicult-to-access area on the Adriatic Sea. Over the centuries the refugee community grew in to the most powerful trading port in the Mediterranean. At its peak, Venice had 3.000 trade ships and 300 navy vessels.After the fall of Napoleon, Venice was ruled by theAustrians, but after the 1848 uprising, the city once againgained itsindependence. Shortly after, in 1866, Venicebecame part of Italy. 1932 saw the opening of the motorand rail bridge between Venice and the mainland, that wasto be the start of Venice as a tourist destination.It is hard to navigate around the city, but dont let that put you o, as this is part of Venices charm. Leave the other tourists at St Marks square and the Rialto Bridge and explore the labyrinth of little neighbourhoods instead. Themost interesting areas and islands are Cannaregio,San  Polo /Santa Croce,    Dorsoduro, San Marco and Caste
 DO & SEE

The whole city is a unique sight in itself, there is nothinglike it anywhere else in the world. The best way to exploreVenice is by foot.
 Cicchetti of Venice Tour

Discover where the locals unwind on this tour of Venice’sbackstreets and hidden Bacari wine bars. Sample famouscicchetti, small local dishes like fried olives, cheesy polenta, and spicy meatballsTours run Tues - Sun. More walking tours are available from Urban Adventures  
Piazza San Marco
Piazza San Marco, aka Mark’s Square, is the biggestsquare in Venice, and the most faous one too. If you truly
want to understand the might of the former Venetianempire this is the place to visit. The square is full of
interesting and impressive sights, one of the being thecampanile - bell tower - from where you can get a splendid
view of Venice
BARS & NIGHTLIFE
Venice has many good bars, primarily in the Dorsoduro district, but there’s no "party scene." The city’s youth travel to Venice’s modern sister city, Mestre, on the main land. In
the summer, they go to the seaside town of Jesolo

Harry’s Bar
This is the original, the bar that all other "Harry’s" around
 he world are modelled after. The Bellini, the champagnand peach drink was invented here. Harry’s Bar focuses oncreating an inviting atmosphere that welcomes everybody with open arms. 

SHOPPING

If you are after high fashion shops they are located at Via XXII Marzo and neighbouring streets. Via XXII Marzstretches from San Mark Square towards Academia and here you will find brands like Prada, Valentino, Etro, Chanand Gucci. There are also several banks and currenc exchange oces in this area. Browse Venice’s boutiqueand take in the atmosphere of the ci

Venice Picture Gallery


Our Venice picture gallery is a general overview of Venice. You'll see photos of Venice canals, gondolas, San Marco, the arsenale gate, and other Venice attractions

Wednesday, August 6, 2014

Florida Villas Holidays



Whatever type of holiday you taking, if you are travelling as a family its important to get it right. Family holidays create fun filled memories that stay with you and your children for life. Travel City Direct has a wealth of experience in making family holidays perfect and with our diverse Florida and Las Vegas destinations to add to the mix we are sure you will find the ideal holiday. From our extensive range of hotels, offering excellent facilities and services, and our super special offers where you are sure to find a bargain that is cheap, family holidays offer a magical experience for the whole family.


travel City Direct offers fabulous family holidays, including the family favourite, Orlando - where there is something for everyone to enjoy. It's legendary for its theme parks including Walt Disney World, Resort, Seaworld Orlando, Universal Orlando and so much more. There are also big music and sport venues, world class golf courses, amazing museums and art galleries, state of the art spas, or the amazing space phenomenon - Kennedy Space Centre. Family holidays to Orlando offer activities for you and your children to enjoy together. Florida hotels tend to be very accommodating to families, with most rooms able to f
it up to four people. However, if you are looking for larger spaces, or if you have large family then Florida Vill